Showing posts with label almond blossom. Show all posts
Showing posts with label almond blossom. Show all posts

Sunday, 31 March 2013

Happy Easter


Happy Easter in pastels from Provence...in almond blossom on the point of flowering, macaroons in the specialist confectioner's shop in Apt, and the purple Judas trees that have burst into blossom on every roadside and terraced hill.
 


Wishing you all a happy and peaceful day, and thank you for all the lovely supportive comments on this blog while I've been working hard throughout the winter. They are all very much appreciated, even when I don't get round to everyone's blog to say so in person. And now it's spring at last - like the door opening on a party, when you stand at the entrance, still feeling cold, but drawn in to the light and colour and sensing that excitements could be just around the corner.

Saturday, 14 April 2012

Quince blossom


"That's how artists change the world. They see beauty that is overlooked by the fashion of the day. Then others come to their shows and see in their turn, and so the truth of beauty is preserved. Except they don't come, and the truth is lost."
                                                        
                                                         from All the Hopeful Lovers
                                                         by William Nicholson 

Impossible not to think of poor Vincent van Gogh as I read these lines in William Nicholson's novel; Van Gogh who only sold a handful of paintings in his lifetime, and whose talent was only recognised after his death. Of course, the truth of beauty isn't lost as the artist in the book claims, however deeply he feels, in his disappointment, that it is.

Wandering around the garden with my camera, I was struck by the simple truth of spring blossom against a blue Provencal sky, as depicted by Van Gogh in his Almond Blossom series, a version of which I saw at Les Baux the other day:



       
The quince tree (photo above) has all the clear beauty of the white against blue, and the fragility of petals still at the mercy of seasonal wind and rain.

William Nicholson is the kind of writer-artist who has an eye for telling detail, but all in a remarkably fluid and easy style. I came to this novel after loving the first of his I read, The Secret Intensity of Everyday Life, a story - as is this sequel - of intertwining relationships and intimate thoughts. If you haven't discovered him yet, I suggest you treat yourself to his gentle (and not-so gentle) observations that might make you see the world a little differently.

The characters in his fictional Sussex countryside are instantly recognizable but Nicholson's masterly dissections pin their inner lives to the page to offer insights that have the weight of universal truths. Connections between individuals - some loose, some close - as their lives interweave seem judicious rather than forced for the sake of a story. Just like real life, in other words, but with all pretence gone: closely examined and enhanced in order to offer understanding. Which has to be the aim of art in any form.

In such a mood of admiration and reverie, I stood staring for a long time at the quince, the way the warm rose of the buds fades to a shell pink. How could I use it in my own writing? How many quinces will result from such a profusion of flowers...? The fruit is a knobbly brute of a hard yellow pear, but the flavour is delicate and subtle. If you leave them around the house in autumn, they release a fragrant aroma that is supposed to banish any mustiness. There might be something in that...

Monday, 16 January 2012

Winter in Provence


Last week in Provence the colours of the landscape were mistily beguiling, from first light to wintry sunset. During the day the skies were a cloudless blue with that sharp cold edge that makes everything look crystal clear. The trip wasn't intended as a holiday, as there were plenty of matters to be attended to, but as soon as the plane flew out over the sea at Marseille to make the approach to landing that's what it felt like. The Mediterranean was a mirror-smooth pool of that fabled inky blue and the rocky inlets of the islands in the bay bristled with small yachts.

The sun was out on the drive north, and so it stayed for six days. When you emerge from the general gloom of an English winter, the sun matters. Even just walking around the garden in Provence noticing the changes and pulling out weeds was a spirit-raiser. There's a real sense of the seasons turning here and hot as it gets in summer, it also blows icy in winter on these last southerly ripples of the Alps. I really enjoy the changes, and the small details like the clusters of nuts on the ground close to the almond tree:


The trees are dormant now, but it won't be long before the almond starts to push out its first green shoots and buds, and it looks like this:


But meanwhile, how did this rose manage to appear in January?

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