Showing posts with label Stone statues. Show all posts
Showing posts with label Stone statues. Show all posts

Friday, 27 April 2012

Mysteries in stone


This little stone figure peeps from a casing high on a building at the corner of the Place de la Poste in St Christol in the Vaucluse. It's a confidently jaunty pose from this tiny chap in his frock coat. I've no idea who or what he represents, and I should have asked at the cafe opposite when I was there, but I didn't. These days it's all too easy to think that you can find out anything from the internet, but in this case I drew a blank. Though I did find a photo, taken at the start of the 20th century, of the building. You can just make out the lantern-shaped casing jutting out between the corner statue (of the Virgin and child) and the shuttered window:




Impossible to tell from this what it is, without knowing what you're looking for. Here it is closer in:



I'd gone to St Christol for other researches for the new novel and novella but, of course, once my imagination had been snagged I was left wondering. So much of the long history of Provence and the stories inlaid in the landscapes are left casually hidden in plain view. If you want the tales and explanations, you have to find the right person to ask and if you strike lucky, you'll be enlightened in the age-old way, by word of mouth.

It goes without saying, that if anyone who happens to read this knows about this statue, please do tell me! 

We might even have found a mysterious stone face of our own, at home. The light has to be right, but when it falls brightly from the south, I'm convinced this shows the weathered face of a cherub on the end of a step:

 
What do you think? Is this a stone that was re-used from somewhere else or is this yet another example of my over-active imagination spinning off into the realms of fantasy?

Saturday, 25 June 2011

Stone statues


I hadn’t told Dom about the incident on the path. I didn’t want him questioning my rationality. Privately though, I’d been thinking a lot about the objects we’d chosen to surround ourselves with: the chipped plates and bowls; the second hand mirrors and scratched paintings; the crazed broken statues. The way they spoke of a history that didn’t belong to us, even in their inanimate state; the way they blurred the distinction between the living and the dead.
                                                    
                                                       From The Lantern

At Les Genévriers, the imaginary version of our property, the garden is enhanced by old stone statues, lichen-encrusted and decrepit. No such artefacts are there in real life – such is the fun of literary invention! But, as always, the life of the novel is inspired by reality, and here are two of the figures that provided the images for those scenes: Ceres and the Water-Carrier.


Actually, I’m not going to tell you exactly where they are. But if you watch The TV Book Club, starting tomorrow on More 4 at 7.30pm (repeated on Saturday, July 2 at 1.20pm on Channel 4) I’m pretty sure that they will be in shot…

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