Showing posts with label Stephanie Cabot. Show all posts
Showing posts with label Stephanie Cabot. Show all posts
Tuesday, 24 June 2014
The Sea Garden is out now!
The Sea Garden is published today in the US. It feels rather unreal, after all the months leading up to it, and the couple of years since I set the first words on paper. Each book is an adventure from that moment onwards. What can I say? I hope you like it. A huge thank you to everyone who reads and comments on this blog for your curiosity and enthusiasm on the journey.
There have been some other important people involved, too. Jennifer Barth is my editor at HarperCollins in New York, and she has been simply superb, everything a writer dreams of: a beacon of fine judgement and subtlety and care for the text. My literary agent Stephanie Cabot at The Gernert Company is brilliant and incisive, and without her, no one in America would be reading anything I'd written. I'd also like to say a special thank you to David Watson and Katherine Beitner at HarperCollins.
I've been racing against time to get my website redesigned to showcase The Sea Garden, and thanks to Judy Barrett it is all up and running. If you would like to read the opening of the novel, it is there now, along with a reading guide, though it might be an idea not to look at that too closely beyond the first page or so before reading the book, as there are a few spoilers.
So, it's over to you now! Do let me know what you make of it.
Saturday, 21 September 2013
A publishing lunch and other distractions
A rainy day in London, but all was colour, light and clamour at Bocca di Lupo in Soho, where I had lunch the other day with the four women who are the mainstays of my writing career: from New York my literary agent Stephanie Cabot and publishing editor at HarperCollins, Jennifer Barth; and the London team: agent Araminta Whitley and Orion fiction editor, Kate Mills.
Over sublime Italian food (including a radish and celeriac salad to match the ceiling fittings...see above and below) we shared news and views, and discussed plans
for publication next summer of The Sea Garden, as the new novel is now titled. For a wonderful couple of hours I felt in the thick of it, the publishing gossip and the zeitgeist, revelling in Kate's account of how she came to admit publicly that she had turned down J K Rowling's pseudonymous detective novel for being a competent but not stand-out read (it was in a twitter exchange with author Ian Rankin, who writes the fantastic detective fiction Kate loves).
Jennifer's schedule in London was eye-opening, back-to-back meetings; I realised she is as meticulous and hardworking at the business side of publishing as she is in her editing role, and all achieved with distinct intelligence and charm. Stephanie, too, packs a lot in when she comes over - she arrived from seeing another of her UK authors in Oxford, and it's all down to her laser-sharp advice, loyalty and professionalism that I am where I am. She and Araminta - tough and funny and brilliant at spotting new trends - have been friends for a long time, and it couldn't have worked out better for me when they decided to join forces to co-agent my books.
Afterwards, I popped into the National Gallery to look for the Velasquez paintings given to the nation by Sir John Hookham Frere, a distant ancestor of my husband's whose portrait hangs in our sitting room. The information surfaced in a book trail I've been following through the British bohemians and Bloomsberries. The Velasquez works in question, including St John the Evangelist at Patmos, seem not to be currently on display, but there was no chance of being unable to see the other item on my agenda: the Boris Anrep mosaics in the floor of the entrance staircase landings.
Created between 1926 and 1952, the mosaics depict figures of the day - from Churchill to Virginia Woolf, Bertrand Russell to Edith Sitwell - in evocative greens, greys and browns, with a lively dose of humour. Russian émigré Anrep's great friend Augustus John is depicted as Neptune offering Alice in Wonderland gifts from the sea. The Hollywood film star Loretta Young fills a loving cup with red and white wine to symbolise British and American friendship.
I'd been reading about Anrep in Virginia Nicholson's Among the Bohemians, which does a good job of putting famous names into social context. It prompted me to look again at a book already on my shelves, Sybille Bedford's Jigsaw, a novel in which her memories of Sanary-sur-Mer in the late 1920s and '30s are only thinly disguised. Then on to Julia, A Portrait of Julia Strachey by Herself and Frances Partridge, which is choc-full of incisive and poignant detail.
A tenuous family link here: husband's "Granny", universally loved for her great charm by young and old (she lived to a grand old age, and I was privileged to be invited to many an open house in Somerset), was a cousin of both the redoubtable biographer and Bloomsbury member Lytton Strachey, and of the artist Duncan Grant, lover of Vanessa Bell, sister of Virginia Woolf, etc, etc. Among the photographs in Julia is one of Julia Strachey aged ten, which bears a startling likeness to both husband as a child and our daughter. (Those genes must be super-strength...)
Finally, a most fruitful visit to my friend Sophie's new boutique in Sevenoaks, Kent - The Clever Dresser (she is, very - and what's more, she can make you one too). This rambling blog post, you see, was begun in order to explain why I haven't been doing much blogging lately... Excuses, excuses, and none would be complete with the biggest excuse of them all, the writing notebook which has been simmering along nicely.
Thursday, 11 August 2011
The Lantern - out now!
Very exciting times here, as The Lantern goes on sale in the USA and Canada . What you will see (I hope!) is its subtly mysterious cover and, with any luck, be reminded it was a book that might prove interesting. From my point of view, it is a thrilling moment tinged with some concern that it won’t repay my publishers’ faith in it, but mostly joyous amazement that I finally made it across the Atlantic with my sixth novel to be published.
And also a great deal of gratitude for what has gone on behind the scenes: first of all to my magnificent literary agent Stephanie Cabot, whom I first met in London when she was head of the august William Morris Agency . My great friend Felicia – who knew her – told me in no uncertain terms to stop flailing about and go for the top. I’m so pleased I dared, and have been for a long time now. What was even better was that Stephanie never even saw the letter I’d sent with my book, The Art of Falling, telling her that we had a connection – she called me in for a meeting because she liked the book.
Stephanie is now back in New York at The Gernert Company, where Rebecca Gardner, Will Roberts and Anna Worrell have also worked tirelessly in my behalf.
I was so, so lucky that The Lantern found its perfect editor at HarperCollins, in Jennifer Barth. Despite having been published before, I was not prepared for the infinite care and understanding that Jennifer gave my words, and the way we would work together with such productive empathy. I simply can’t praise her highly enough.
Also at HarperCollins, Jason Sack, Mark Ferguson and Olga Gardner Galvin have done a fantastic job. Many, many thanks too to Kathy Schneider, Tina Andreadis, Leah Wasielewski, Tiffany Woo, and the magnificent library team led by Virginia Stanley and Kayleigh George.
When I went to New York for BEA this May, I was introduced to the whirlwind that is Katherine Beitner, the publicist for the book, who not only kept me up to date with everything going on around us, and made sure everything went like clockwork, but kept me laughing and relaxed thoughout. I knew she was good – very good – but I had no idea she was going to get reviews of The Lantern in the Wall Street Journal and Oprah’s magazine, in Redbook magazine, and, astonishingly, in the past few days: USA Today (click here) and now as the lead book review in this week’s People magazine! (Not available online, sadly.) Katherine, I salute you - what a star!
So there you are, so many more people that I haven’t mentioned by name, including the all-important Harper sales teams, who are behind one small book. Whoever would have thought all this would happen, when I sat down at my desk nearly three years ago to start writing a quiet but disturbing story about a shy, bookish young woman who finds herself living in France with a gorgeous but strangely secretive older man…? Certainly not me.
So it’s over to the readers now. I so hope you find things to enjoy in it, and that you’ll let me know if you do.
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