Showing posts with label Estoril. Show all posts
Showing posts with label Estoril. Show all posts

Thursday, 7 April 2016

The seeds of a novel

 
                        
A question I'm asked surprisingly often is, "Where do you get the ideas for your novels?" As someone who is always noticing things and wondering whether these would make a story, I always feel it's more a question of, "How do you decide which idea would make the best story?"
 
The seeds of 300 Days of Sun were sown when I traveled to Faro with my daughter Maddy, who had booked herself a two-week Portuguese language course there. She was only seventeen at the time and I felt I couldn’t allow her to go alone, though she would have done so, quite happily. While she went to class every morning, I wandered around the town with a street map, camera and my notebook. 

I am always inspired to write by the places I visit, and Faro was no exception. I had never been there before, though I knew the name from a hundred airport departure boards, as the hub for tourists traveling to the Algarve coast. Maddy and I were charmed from the first evening, by its mosaic pavements, by the laid-back atmosphere in the August heat, by the sea and the glimpses of green salt marsh. In the afternoons, we found various ways to get to the beaches and islands – and the first time we went to Praia de Faro, we did find the sea curiously green and furry, though this is not the usual state of affairs.
 

It’s important to say here that, for all the geographical accuracy of my portrayal of Faro, the town in this book is an imaginary version: certain elements, like great storm of February 1941 and the re-opening of the Café Alianҫa during the local elections (held, in real life, in 2013), are superficially true, but the story in the book is entirely fictional. If there are similarities with real life on the Algarve, this is only in order to give my story the tang of authenticity, though as ever, I have tried to describe the places as I found them, to transport the reader to an atmospheric and intriguing place.

It has been a long time coming, but a big thank you is due to the Portuguese Tourist Board in London. In June 1985, I was lucky enough to be invited on a press trip to Lisbon, Cascais and Estoril. I was a trainee reporter on the Kentish Times, a weekly newspaper based in South London. The trip was an adventure that began with a gathering of six or seven strangers in the departure lounge at Heathrow airport; we were to be escorted by a Portuguese guide with a twinkly smile called João and, in return for writing an article extolling the beauty of this area of Portugal’s Atlantic coast, we would be treated to a week of interesting trips and lovely meals.

 

We had a wonderful time. Everyone seemed to get along, and there was lots of laughter, including a running joke about sardines, though the details of that one have got away. We visited Setúbal, Óbidos, Belém and Sintra, and the pousadas, the medieval castles and convents that had been transformed into atmospheric hotels. We had dinner one evening at the Fortaleza do Guincho at Cascais, where we drank white port with ice as an aperitif. Here I am, in a collage of old photos (I loved those pink shoes).
 
Unfortunately, when I got back to England and wrote my piece, only four sparse, dull paragraphs made it into print with no photograph. I was so embarrassed that I never went to the trip reunion in London a few months later, not daring to face João again. So if anyone at the Portuguese Tourist Board should find themselves reading this book, may I say Obrigado and apologize for making you wait so long for some words that do Lisbon and Cascais justice.

 
 

Wednesday, 16 September 2015

Cover reveal: 300 Days of Sun


Ta-da...isn't it glorious? I am very happy indeed. The picture shows the dramatic rocks on the Algarve coast in southern Portugal, where the novel is set - and I hope it makes you want to plunge into the book as well as that sea.

The scratchy, scuffed effect and the lettering reminiscent of the 1950s is perfectly in tune with the story, too. Central to the action is a book published in 1954, written by a young American woman married to a foreign correspondent, based on her experience of wartime Lisbon, her travels in the south, and the aftermath of a time when the Allies and the Nazis faced each other across the casino tables and restaurants of supposedly neutral Portugal.

It's a story about borders and the transforming effects of crossing them, either willingly or unwillingly; the way altered geography and shifts of power change our lives. As I wrote, the story took on a thriller-ish feel, which made it exciting to write. Above all, there's a strong sense of place and atmosphere, with an evocation of a dangerous yet fascinating era.

Before publication - which is not until April 2016 - I will post up the start and various extracts, but for now I will leave you with the HarperCollins catalogue introduction. Fingers crossed it leaves you enticed.

Combining the atmosphere of Jess Walters’ Beautiful Ruins with the intriguing historical backstory of Christina Baker Kline’s The Orphan Train, Deborah Lawrenson’s mesmerizing novel transports readers to a sunny Portuguese town with a shadowy past—where two women, decades apart, are drawn into a dark game of truth and lies that still haunts the shifting sea marshes.

Traveling to Faro, Portugal, journalist Joanna Millard hopes to escape an unsatisfying relationship and a stalled career. Faro is an enchanting town, and the seaside views are enhanced by the company of Nathan Emberlin, a charismatic younger man. But beneath the crumbling façade of Moorish buildings, Joanna soon realizes, Faro has a seedy underbelly. And Nathan has an ulterior motive for seeking her company: he is determined to discover the truth involving a child’s kidnapping that may have taken place on this dramatic coastline over two decades ago.

Joanna’s subsequent search leads her to Ian Rylands, an English expat who cryptically insists she will find answers in The Alliance, a novel written by American Esta Hartford. The book recounts an American couple’s experience in Portugal during World War II, and their entanglements both personal and professional with their German enemies. Only Rylands insists the book isn’t fiction, and as Joanna reads deeper into The Alliance, she begins to suspect that Esta Hartford’s story and Nathan Emberlin’s may indeed converge in Faro -- where the past not only casts a long shadow but still exerts a very present danger. 


Amazon:  http://bit.ly/1JZun00 
Barnes & Noble:  http://bit.ly/1VQotDY 
Books-a-Million:  http://bit.ly/1FzRudB 
Indiebound:  http://bit.ly/1O3YWWj
Related Posts Plugin for WordPress, Blogger...