Showing posts with label the writing life. Show all posts
Showing posts with label the writing life. Show all posts

Wednesday, 23 November 2016

November in Provence

 
November in Provence has been glorious. Each day the hillsides have been turning a deeper gold, and the bright sunlight brings everything into sharp relief. The lavender fields (above) show ribs of muted grey-green. Apricot and cherry trees have turned a flaming red like orchards of lit torches, and our unpicked muscat grapes are purple against glowing yellow leaves on the trellis that gave shade to our summer dining table.
 
Been having a lovely time seeing friends and relaxing, and wandering around the Luberon hill villages after a busy time in England during September and October. It's all much quieter than when we were last here. The restaurants have autumn menus - we had a special Game and Wild Mushroom one at a local auberge the other night, featuring tiny tasters of delicious pumpkin soup and wild boar, chanterelles with truffle and seared scallop, venison, a rather experimental black truffle and vanilla ice-cream (not sure about that one) followed by a chocolate bombe.
 
 
One a cloudless day there's often warmth, too. Here is a glimpse of the castle at Gordes,, and now is the time, without all the tourist crowds, to wander round this spectacularly beautiful village with its panoramic views. Here I am, on a slightly colder day, in Goult.
 
 

It was mellower, and slightly misty that day, and the view from the top by the old windmill was softer and more green than in other higher parts of the valley.
 
 
Finally - wishing Happy Thanksgiving to all my friends and readers in the USA!  

Wednesday, 26 August 2015

Sanary - so not St Tropez


I've been away the past week, a working break on the Côte d'Azur, if that doesn't sound too implausible. An old fishing village on the shores of the Mediterranean is such an old cliché that these days it almost always means millionaires on yachts and bronzed stick insects dripping in bling. But not always. Sanary-sur-Mer is still a working fishing town as well as a jolly holiday place for the more down-to-earth French.

I really was working. The page proofs of the new novel, 300 Days of Sun, had to be painstakingly checked, mistakes hunted down and sentences forensically assessed. With the house full of visitors again, I couldn't see how it would get done, so this was my answer. Work in the morning, sun in the afternoon.

It was great! I've never been away specifically to work on my own before, and I like it. Rather too much, perhaps. Previous brief visits to Sanary had intrigued me. It seemed friendly, with a lovely atmosphere, and is pretty as a picture. It has some lively literary connections, too, which are always interesting. Thomas Mann lived here in the 1930s, and Aldous Huxley wrote Brave New World just out of town along the coast. D H Lawrence found some easing of his tuberculosis here, and Sybille Bedford - a wonderful writer who deserves to be better known - wrote Jigsaw, her "unsentimental education" among the wild and eccentric bohemians in the twenties and thirties in Sanary.


 
A short walk down a tree-lined, almost suburban, street to the west of the port was the pretty Portissol beach, where the water can change colour from pale grey-green to deep blue.
 
 
I even took the train along the coast to La Ciotat one day, as I've had the glimmering of an idea for yet another novel and wanted to do some research. Another afternoon, I took a boat trip to the calanques at Cassis and beyond.
 
At night, there were unpretentious restaurants by the harbour where I felt perfectly happy eating on my own, watching the world go by and the night market being set up. After that, there were various bands and other free entertainments that sprang up along the esplanade. As I told the family when I got back, having completed my list of changes to the proofs and sent them off to New York yesterday morning before I left: it was a full week's work!
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