Showing posts with label Lisbon wartime intrigue. Show all posts
Showing posts with label Lisbon wartime intrigue. Show all posts

Tuesday, 6 December 2016

The sound of gunfire, Lisbon 1940


Come inside...a short glimpse inside 300 Days of Sun. I always enjoy reading and researching into a fascinating subject, and with this novel I loved writing the sections of the novel set in wartime Lisbon. Here's one of the early scene-setters, viewed through the eyes of Alva Barton, wife of an American newspaperman. The Bartons have left Rome, then Paris as the German army of occupation swept into France in 1940. After a nerve-jangling journey south, they have arrived in Portugal's capital city, along with many other refugees desperate to escape Europe.

The attic room at the Hotel Métropole was stuffy and a long way from the bathroom. But the Bartons were used to being thrown back on their own resources. Wasn’t that how they had ended up here? They were still the people they were before they lay on these hard twin beds, getting up each morning to eat salty toasted cheese sandwiches for breakfast and lobsters and langoustines for lunch, considered not extravagant but very standard local fare. Scrupulous cleanliness was the norm and they were treated with warmth and cordiality by the Portuguese at the hotel, in the cafés, in the shops.

Like Rome, Lisbon was a city on seven hills. After it was destroyed by the great earthquake of 1755, the architecture that rose from the ruins was bold and uniform in style, the best the eighteenth century could offer. Set back from the Tagus waterfront behind a wide square with a horseman statue was a triumphal arch with colonnaded building forming wings to either side, reminiscent of the Rue de Rivoli in Paris. In its way, the city was as self-confident and beguiling as Paris. It even had its Champs Elysée: the magnificent tree-lined Avenida de la Liberdade.

On display in the stores of the Rua Augusta was an abundance of goods and food, much of it imported: McVitie’s biscuits from England, Haig whisky from Scotland, German stollen cakes made with marzipan. Newspapers with all the familiar titles, the Daily Mail from London, the Herald and France Soir from Paris, the Deutsche Allgemeine Zeitung, squashed together into the racks in similar proportion to the displaced persons in the cafés. The British Embassy was next to the building that housed the German Legation, which left the Union Jack fluttering with authority only a few hundred yards from the Nazi swastika.


At night, Lisbon possessed a rare beauty. Light danced from shops and houses; churches and palaces were floodlit like stage sets. The streets were full with a sense of happiness until three in the morning. The clubs oozed American dance music. It was all too possible to mistake it for a safe haven, a place of excitement and adventure. When they heard gunfire as they walked through a side street, on the second night, they cowered against a wall but no advance troops appeared. The next day they were told that what they had most likely heard was the beating of carpets. A local law forbade the practice between the hours of nine a.m. and midnight, so those householders who abhorred early rising beat their carpets in the party hours.


300 Days of Sun is available through all good bookshops and on Amazon - link here.

From HarperCollins US catalog: "Deborah Lawrenson’s mesmerizing novel transports readers to a sunny Portuguese town with a shadowy past—where two women, decades apart, are drawn into a dark game of truth and lies that still haunts the shifting sea marshes.

Traveling to Faro, Portugal, journalist Joanna Millard hopes to escape an unsatisfying relationship and a stalled career. Faro is an enchanting town, and the seaside views are enhanced by the company of Nathan Emberlin, a charismatic younger man. But beneath the crumbling façade of Moorish buildings, Joanna soon realizes, Faro has a seedy underbelly, its economy compromised by corruption and wartime spoils. And Nathan has an ulterior motive for seeking her company: he is determined to discover the truth involving a child’s kidnapping that may have taken place on this dramatic coastline over two decades ago.

Joanna’s subsequent search leads her to Ian Rylands, an English expat who cryptically insists she will find answers in The Alliance, a novel written by American Esta Hartford. The book recounts an American couple’s experience in Portugal during World War II, and their entanglements both personal and professional with their German enemies. Only Rylands insists the book isn’t fiction, and as Joanna reads deeper into The Alliance, she begins to suspect that Esta Hartford’s story and Nathan Emberlin’s may indeed converge in Faro -- where the past not only casts a long shadow but still exerts a very present danger."

For a great review in Portugalist, the must-read travel site for Portugal, click here.
                                                

Wednesday, 8 June 2016

300 Days of Sun: Behind the book


I am always inspired to write by the places I visit and Faro, on the southern coast of Portugal, was no exception. I had never been there before, though I knew the name from a hundred airport departure boards, as the hub for tourists travelling to the Algarve. My daughter Madeleine, then seventeen, was taking a Portuguese language course in the town. She and I were charmed from the first evening, by its mosaic pavements, by the laid-back atmosphere in the August heat, by the sea and the glimpses of green salt marsh. In the afternoons, we found various ways to get to the beaches and islands – and the first time we went to Praia de Faro, thanks to churning winds offshore, we did find the sea curiously green and furry as described in my novel.

For all the geographical accuracy of my portrayal of Faro, the town in this book is an imaginary version, and all aspects of the story are fiction. However, certain elements, like great storm of February 1941 and the re-opening of the Café Alianҫa during the local elections (held, in real life, in 2013), are superficially true. The storks' nests on dizzying ledges, as below, are also a characteristic feature.


It would be disingenuous to pretend that the heartbreaking disappearance of four-year-old Madeleine McCann from Praia da Luz in 2007 had no influence on this story, but what set off my narrative was a TV report of renewed investigative efforts to find her several years after the event. A woman who lived locally was being interviewed, and she was angry. “Why all the interest in this one case?” she asked. “There have been others too, you know. What about them?” It was an unkind reaction, I thought, but intriguing. Although I watched out for the next broadcast of the story, and the possibility that this woman’s implication had been followed up, she did not feature again.

I wondered why these questions were not pursued further. Perhaps the reporter hadn’t been able to find out more in the time. Perhaps the implications were too large, too unwieldy. It struck me that sometimes important questions are never answered. Sometimes they are uncomfortable, or not politically expedient. Worst of all, events might be deemed too long ago to matter. An old story: the most damning dismissal a news editor can give. But what are the families who have lost children in this way to do? Of course they will continue in their quests to rescue them, or to know what happened.



Running through this novel are questions about identity. It’s an issue that can be hard enough to answer in normal circumstances. But what happens if a child grows to adulthood and discovers he is not the person he thought he was? A personal history is undermined, shown to be misleading at best, psychologically shattering at worst.

And there are other ways for a person to become someone different. One is by living in a foreign country. This particularly interests me, as I was moved across Europe and Asia so many times as a child, that the simple question, “Where do you come from?” has no simple answer. Each different country left an imprint and memories of home. For Alva, in wartime Lisbon, the moment she changes her perception is when she realises that her husband has no intention of taking her “home” to America.


Crossing borders is a theme that threads through the story. During war, national borders are threatened by invading armies; they must hold to keep the illusion of safety. Historically, Portugal was a nation defined by her navigators and mariners who took to the seas to explore the globe. Present-day Faro has constant movement of planes and trains and cars and boats; the students taking the language course are looking to expand their horizons and move on; Nathan and Joanna are always on the move, on ferry boats and cars and on foot.


In the past, Esta Hartford’s book depicts Alva’s flight into the unknown and how quickly some people can adapt when they have to. The same is true of Nathan. Yet there’s also a sense of unease. Assuming new ways of life, confounding expectations and finding the inner resources to do so are not easy. Borders reflect personal security and psychological boundaries. What one finds within them can often surprise – and perturb – but new countries, new homes, always open a new perspective on the world.

Above all, I hope you enjoy the escape into a fascinating and atmospheric place. Available at good bookshops and Amazon. Thrilled by this review in Portugalist, the must-read site for Portugal.



Wednesday, 16 September 2015

Cover reveal: 300 Days of Sun


Ta-da...isn't it glorious? I am very happy indeed. The picture shows the dramatic rocks on the Algarve coast in southern Portugal, where the novel is set - and I hope it makes you want to plunge into the book as well as that sea.

The scratchy, scuffed effect and the lettering reminiscent of the 1950s is perfectly in tune with the story, too. Central to the action is a book published in 1954, written by a young American woman married to a foreign correspondent, based on her experience of wartime Lisbon, her travels in the south, and the aftermath of a time when the Allies and the Nazis faced each other across the casino tables and restaurants of supposedly neutral Portugal.

It's a story about borders and the transforming effects of crossing them, either willingly or unwillingly; the way altered geography and shifts of power change our lives. As I wrote, the story took on a thriller-ish feel, which made it exciting to write. Above all, there's a strong sense of place and atmosphere, with an evocation of a dangerous yet fascinating era.

Before publication - which is not until April 2016 - I will post up the start and various extracts, but for now I will leave you with the HarperCollins catalogue introduction. Fingers crossed it leaves you enticed.

Combining the atmosphere of Jess Walters’ Beautiful Ruins with the intriguing historical backstory of Christina Baker Kline’s The Orphan Train, Deborah Lawrenson’s mesmerizing novel transports readers to a sunny Portuguese town with a shadowy past—where two women, decades apart, are drawn into a dark game of truth and lies that still haunts the shifting sea marshes.

Traveling to Faro, Portugal, journalist Joanna Millard hopes to escape an unsatisfying relationship and a stalled career. Faro is an enchanting town, and the seaside views are enhanced by the company of Nathan Emberlin, a charismatic younger man. But beneath the crumbling façade of Moorish buildings, Joanna soon realizes, Faro has a seedy underbelly. And Nathan has an ulterior motive for seeking her company: he is determined to discover the truth involving a child’s kidnapping that may have taken place on this dramatic coastline over two decades ago.

Joanna’s subsequent search leads her to Ian Rylands, an English expat who cryptically insists she will find answers in The Alliance, a novel written by American Esta Hartford. The book recounts an American couple’s experience in Portugal during World War II, and their entanglements both personal and professional with their German enemies. Only Rylands insists the book isn’t fiction, and as Joanna reads deeper into The Alliance, she begins to suspect that Esta Hartford’s story and Nathan Emberlin’s may indeed converge in Faro -- where the past not only casts a long shadow but still exerts a very present danger. 


Amazon:  http://bit.ly/1JZun00 
Barnes & Noble:  http://bit.ly/1VQotDY 
Books-a-Million:  http://bit.ly/1FzRudB 
Indiebound:  http://bit.ly/1O3YWWj
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