Showing posts with label Les Genevriers. Show all posts
Showing posts with label Les Genevriers. Show all posts

Monday, 8 August 2011

Rooms we didn't know were there


A lopsided stone arch at the end of the main house, which would once have let carts into the courtyard…
                                                     From The Lantern

Come with me, I want to show you something. Here’s the entrance arch to “Les Genévriers”, slightly askew but remarkably solid, but we won’t go through there just now. We’re walking behind the main farmhouse, heading down the alleyway which was once a centuries-old path up the hill from the town far below.


          …the alleyway between the big house and the row of workers’ cottages.

In the building on the right is the place where a dream first came true, in the most literal sense. I’m a big dreamer, in every way – a daydreamer and a cineaste by night. One scene that recurs quite often for me, in various dream guises, is that of walking through a house where I live and finding rooms I never suspected were there.

Perhaps you have that one too. I don’t think it’s all that unusual. I read once it was supposed to signify personal development and the subconscious acknowledgement of more potential if certain areas of the mind could only be unlocked. In my dreams, it’s always a fascinating and welcome discovery, anyway.


When we bought our property in France, it was the rambling nature of the buildings that appealed immediately. As described fairly faithfully in The Lantern, it is more than a simple house: it is an old hamlet. We had seen it twice before we signed the purchase documents, once inside and out with the vendor’s agent and a second time inspecting the outside only, rather less officially.

There was certainly an element of reckless folie de grandeur about our purchase of the place, but we had fallen under its spell and there was no going back. We’d half-joked for years that top of our material wish-list would be a ruined hamlet in the Luberon, and suddenly – totally unexpectedly - here it was, and what’s more, in what we considered the ideal location. If we hadn’t gone for it, we would have regretted our lack of courage for evermore.

Arriving that first July, ready for adventure, we quickly realized that the main farmhouse was well-nigh uninhabitable. There were ominous cracks right across the floor of the top storey and the remaining bedrooms were cramped and full of dead lizards and insects. So the first summer – and for a few years afterwards - we slept in the building across the alleyway. This long edifice was once a line of farm workers’ cottages but already converted into two apartments. At the end was another small locked house (with no key) that we had never seen inside.


The woodworm-y entrance door to the downstairs apartment leads into a little sitting room. A large high-ceilinged bedroom is a few steps below, and there is a bathroom with wonderful views and its own outside terrace.


We’d been sleeping in the bedroom for several nights before I thought to investigate what I thought must be another cupboard, tucked away down another short flight of stairs, that I’d never even noticed when the estate agent showed us round.


The wooden door was truly small, but on the other side was a fair sized room. It was damp and full of cobwebs, but thrilling nevertheless. If you’ve ever lived in a city, you know that rooms just don’t get missed off property details. But here it was – the room we never knew was there.


            …the doors that opened into new rooms that hadn’t seemed to exist.

As it turned out, it was only the first such discovery, as we hacked down the overgrown garden and rampant ivy and the buildings seemed to expand organically around us. The garden door that led not to a tool store but a vaulted wine cave stretching under the courtyard, still with its old – empty! – barrels, was even more exciting. The locked house at the end of the alleyway eventually yielded to force and gave up its terrible stench of drains and ancient lintels and shallow stone wash basin.

When I look back now, that time does take on a dream quality, more so because it did feel as if we were doing something more than slightly crazy. But along the way we have gained far more than extra rooms. We’ve found that a dream really can come true – maybe more than one.       


Monday, 25 July 2011

The blocked-up doorway


One afternoon, idly looking down over the lower terraces at the stone walls, my eyes fastened on a wooden beam in the wall attached to the first stone arch. Moments passed before it occurred to me that what I was seeing was a lintel, and that there had once been a door underneath it. It was there, very faintly, in outline. Another room, possibly, blocked up with stones.
                                             
                                                     from The Lantern

When I’m writing a novel, I really enjoy describing what is really there. The story comes from the imagination, but what will make it vivid and plausible is being rooted in a real landscape and setting. So, although these words are supposedly written by Eve in The Lantern, they are my experience of being at “Les Genévriers”, our property as it features in the novel.

And it’s also possible to present a photograph of the place itself, just as I first noticed it a couple of years ago, and as it remains today. What was it used for, once upon a time? No doubt, it would have been something quite prosaic: for storing farm equipment, or just possibly for sheltering animals. The chamber cannot have been very big – at the most, only a few yards square – but why, and when, was it blocked up?


We took out the top row of stones to see if it was possible to re-open the entrance, but it seems not. There is another layer of stones, and rubble behind it. This is where those of us with over-active imaginations start to guess at all sorts of explanations. Of course, I couldn’t resist writing it into my story, and I hope those you you who read the book will be interested to see what might have formed other pictures in the mind, as it really exists. 

Saturday, 25 June 2011

Stone statues


I hadn’t told Dom about the incident on the path. I didn’t want him questioning my rationality. Privately though, I’d been thinking a lot about the objects we’d chosen to surround ourselves with: the chipped plates and bowls; the second hand mirrors and scratched paintings; the crazed broken statues. The way they spoke of a history that didn’t belong to us, even in their inanimate state; the way they blurred the distinction between the living and the dead.
                                                    
                                                       From The Lantern

At Les Genévriers, the imaginary version of our property, the garden is enhanced by old stone statues, lichen-encrusted and decrepit. No such artefacts are there in real life – such is the fun of literary invention! But, as always, the life of the novel is inspired by reality, and here are two of the figures that provided the images for those scenes: Ceres and the Water-Carrier.


Actually, I’m not going to tell you exactly where they are. But if you watch The TV Book Club, starting tomorrow on More 4 at 7.30pm (repeated on Saturday, July 2 at 1.20pm on Channel 4) I’m pretty sure that they will be in shot…

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